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48 plays The House That Heaven Built Japandroids Celebration Rock

I just read the Pitchfork Review by Ian Cohen and this sums up exactly what Celebration Rock feels like. 

But mostly, it’s in how Celebration Rock treats every day like the last day of school, raising a glass to the past, living in the moment and going into the future feeling fucking invincible.

It offers itself up as a social lubricant, music meant for radios, keg parties, road trips; the extent to which plural pronouns exceed singular is no accident. 

I feel nostalgic for summer all over again. 

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1 play Angeles Elliott Smith Either/Or

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